The best TV shows of 2021

All in all, the limited series served as the standout genre of the year, churning out more memorable shows than any other—at least, until those same networks tried to recall fragments. code, this rarely succeeds.

Network TV has also upped its game with a few new series that are both ambitious and simply fun, going beyond the usual alphabet of procedural crime spinoffs. Meanwhile, documentaries have fueled the news cycle on several fronts (see “Framing Britney Spears”) and embrace the political challenges facing the United States at this time (HBO’s “Four Hours at the Capitol” and “Q: Into the Storm” ranks high among them).
For those of you scouring this list looking for details, there are certainly plenty of people out there and rest assured that plenty of other titles have been considered. These include the Emmy Award-winning “Ted Lasso,” which has never been as impressive in this quadrant as elsewhere and has fallen even further with its somewhat uneventful second season; and “Squid Fishing Game,” undoubtedly one of the most influential shows of the year, whose omissions (see those affluent patrons) have not earned a spot among the best.
Also, Marvel’s “WandaVision” in a sense represents everything the studio has accomplished in its expansion into streaming as the most ambitious of the four Disney+ shows introduced in 2021, although the Other programs are valid to varying degrees.

With that disclaimer, here in no particular order are the featured TV shows of 2021, if can be broken down into categories that reflect, in a small way, the breadth of what was there:

New series of broadcasts

Rose McIver and Utkarsh Ambudkar in

Winner Circles: “The Big Leap” (Fox), “Ghosts” (CBS)

Both of these shows offer a welcome mix of comedy and surprising warmth, the first featuring the cast and crew of fictional reality, the second remake of a British comedy tells the story of a couple moving into a new home, whose near-death experience grants the wife the ability to see and hear the ghosts that reside there. One more honorary mention of “Ordinary Joe” (NBC), an ambitious concept that also started with promise but didn’t last long; and ABC’s “The Wonder Years” reboot.

Back to the series

Jeremy Strong in

Winner’s Circle: “The Succession” (HBO)

Even with all the buzz surrounding this HBO drama, the third season is a class in itself, building on epic finale seems to reset the playing field. Plus, with possible apologies for “The Crown” (not out in 2021) and a select few other films, the series now boasts the best cast on television.

Limited series

"  White Lotus

Winners’ Circles: “The White Lotus” (HBO), “Mare of Easttown” (HBO), “Dopesick” (Hulu), “The Underground Railroad” (Amazon), “WandaVision” (Disney +)

A truly explosive year for the limited series, with “White Lotus” explore the class divide in a luxury resort, “Mare of Easttown” delivers an epic showcase for Kate Winslet and the historical touring sitcom “WandaVision” through a pair of Avengers, in a strange and tragic love story.
“Underground Railroad,” meanwhile, presents a fascinating alternative history of the United States and slavery, while “Dopesick” – despite a few hiccups – feels incredibly urgent with dissecting Purdue Pharma and the opioid crisis from multiple perspectives. (Also recommended: Alex Gibney’s documentary on the subject, “Crime of the Century.”)

Stage to screen

Caesar Samayoa, Sharon Wheatley, Q. Smith and Tony LePage in

Winner’s Circle: “Come From Away” (Apple TV+), “Derek DelGaudio’s In & Of Itself” (Hulu)

In a year of surplus of cinema musicals, Apple filming a theatrical performance about September 11, based on the true story of people temporarily stranded in Newfoundland, at the same time uplifting and emotionally devastating. As for DelGaudio, he seems to have reinvented magic as a TV shot into a performance by a man that was cleverly expanded on his live presentation.


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Winners’ Circles: “Framing Britney Spears” (FX), “Muhammad Ali” (PBS), “Four Hours at the Capitol and Q: Into the Storm” (HBO)

Arguably, no single show can advance a particular news story like the first of several Britney Spears documentaries, with this effort by New York Times Presents Last. lead to terminate her conservatorship after 13 years. Ken Burns ‘look The greatest boxer of all time won the championship in a year that featured many notable documentary records, including movies that hit theaters, such as “Val” and “Brian” Wilson: Long Promised Road.”

Meanwhile, “Four Hours at the Capitol” offers a content portrait of the events that occurred on January 6, while “Q: Into the Storm” connects with those events because of it. traces that movement’s rudimentary origins, along with the impact on those who have descended its rabbit hole.

Fresh face/voice

D & # 39;  Pharaoh Woon-A-Tai, Paulina Alexis, Lane Factor and Devery Jacobs in

Winner’s Circle: “Booking Dogs” (FX), “College Girls Sex Lives” (HBO Max)

There are many series that introduce new talent but have an edge for these two, about coming of age Native American teenagers in Oklahoma and college students at a charter university, chronicles two very different aspects of young people struggling to find themselves.


Ralph Macchio and William Zabka in

Winner’s Circle: Dexter: New Blood (Showtime), Cobra Kai (Netflix).

Despite initial skepticism about bringing “Dexter” back later that final’s night, new season took back what was great about the series, starting with Michael C. Hall’s mix of witty humor and wary intimidation. As for the revival of “The Karate Kid” (which begins in 2021, premieres January 1, and returns December 31), the show has proven impressively creative as it enters its fifth season. invest in updating and playing with its changing alliances.

Fab Four times two

"  The Beatles: Return

Winner’s Circle: The Beatles: Get Back (Disney+) and McCartney 3,2,1 (Hulu).

Peter Jackson’s epic Beatles documentary has received a lot of ink, but it can be viewed alongside Hulu’s trip upstream of memory featuring Paul McCartney – a Valentine’s Day doubles with who “Yesterday” doesn’t seem so far off.


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