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Ryan Reynolds, Rob McElhenney star in FX series Welcome to Wrexham


Image for article titled Ryan Reynolds and Rob McElhenney are really nice guys and if you don't believe it just ask them

Screenshots: Network FX

I have a confession, and it’s a confession that often shocks those who know me. I’ve only watched two episodes of It’s always sunny in Philadelphia, and that number will never be greater than that. If I wanted to feel like I was being yelled at for half an hour, I would check the social media DMs filtered out of my inbox or walk into any bar in Wrigleyville and declare out loud that Pearl Jam sucks (which I don’t even really trust, but fun to do). So I have no acquaintance with Rob McElhenney. Seems like a nice enough guy, having a pretty good time doing what he wants.

So does Ryan Reynolds, and I love Deadpool. He behaves exactly like the guy who created a franchise that most people love, got all the money he needed and allowed him to just do the things he liked and did. Marry one of the most beautiful women in the world. Reynolds has been in “I don’t fuck anymore” mode for a while, and could simply be Ryan Reynolds. “Free Guy” is better than any right to exist, though I would probably watch Jodie Comer read the phone book (despite being a bluenose). More power to both.

However, Welcome to Wrexham It seems like just a vehicle to show what these two guys are, while only showing what Wrexham AFC means to the tiny community it calls home. Some of this is colored by the interviews the two did before the premiere where McElhenney admitted that what he cares the most working on a sports documentary. But Wrexham is not a toy, it is not a prop. After hearing that, it’s hard to see what the pair have to say about actually connecting with the club and supporters in a completely serious way, no matter how sincere they may seem.

Welcome to Wrexham not a program for football enthusiasts. That’s fine, since there’s a lot of material available to them if they want to. The All or nothing series on Amazon could give fans a behind-the-scenes look at the big clubs. If you want a big club based on its story of chance, yes Sunderland until I die. This is clearly a story about two well-meaning men who are almost certainly faced with something they don’t fully understand.

It’s a good story, and one that we’ve seen a few times in sci-fi movies. But since the non-fiction show doesn’t go out of its way to point out, there are real-life consequences to this. The third episode spends a lot of time with Shaun Winter, a Wrexham resident, and a fan who recently went through a divorce and makes it clear that his time at The Racecourse Ground with his sons is just the thing. best. keep him going. Sure, every team has fans like this, but as we see through the stories of the pub manager attached to the stadium or the old ladies drinking tea or other scenes, the point The bottom line is that this club, and football club in general, mean more to their fans. The show starts with McElhenney talking about how much Philly sports, especially the Eagles, mean to him, and then is clearly trying to prove Wrexham and its supporters at like another level.

McElhenney and Reynolds knew enough to know that they had to be promoted to the Football League and out of the National League, and despite references to their visions and plans, we never have. heard anything about that. The season’s third episode spends a couple of minutes about the two securing Fleur Robinson as chief executive or Phil Parkinson as manager, without ever showing us what Reynolds and McElhenney told them to sell them for in Join a club that has a division or two lower than where they are. Working. Does it only work for celebrities? That’s fine, but it would be nice to know.

We also see in the second episode how the pandemic season has ended for the club, just months after the Hollywood duo took over. They lost their last game of the season to miss out on the National League play-offs and any chance of promotion. At the end of the episode, we learn that the manager we just met and half of the roster were dropped after this match. But who made that call? Did McElhenney and Reynolds make that call? Are they simply advised and rubber stamped from the people they have in place? They have to sign it, right? But we never see that, and it feels like we never see it because we can’t see Reynolds and McElhenney as even the tiniest villains. But we see them agree to throw a huge amount of money, for the division that Wrexham is joining, striker Paul Mullin is merely beyond an offer from Twitter. Hey, they really care about what the fans want! But they didn’t fire anyone. People just… lost their jobs. We really only get one side of it.

That said, things start to turn a little bit in episode four. Their first full season as owners begins and we also get a glimpse of the dynamics of their money mean. On one hand, their celebrity really gives them an edge, financially, over the rest of the division, and we see that at the team store and how both are using the network. their social following to receive grants and income that only they can provide.

Most intriguingly, we see how contract work plays out in a team. We see four teammates at Wrexham living like roommates, because they have to and aren’t really thrilled with the salary they’re hearing Paul Mullin is earning. The next scene shows Mullin in a house that is much more comfortable than they already have, but explains that he can’t be away from his family anymore and what it means to him to have to live with his family. they are full time and why is he taking what. were provided (and their delightful Scouse accent and ways of supporting Liverpool. Let’s accept that, Jodie!). It’s a glimpse of how these work in the dressing room, and if you think it’s just this low, you’re fooling yourself. It’s a story that we don’t often see this vividly.

There were also some hints from fans, as Wrexham struggled out of the gate, that Reynolds and McElhenney’s glamorous honeymoon would only last as long if it didn’t work out. And both freely admit this. However, the first season of the episode focuses on the need to replace the field, and we must feel sorry that these two had to shell out north of $350,000 for it. It’s work, children, and we know you have it. The episode ends with Reynolds illustrating during a phone call with McElhenney how they don’t know how much and how difficult it is and why what they’re doing doesn’t make sense.

Oh yes. And the stakes are high for a lot of people. You are not considered a saint simply by appearing. This is a living, breathing organism. It requires a lot, and advocates expect, even demand, from employers to put in the work. They don’t get extra points when they find out it’s more than a guy’s weekend.

The show is at its best when it shows what is a fifth division The club is really like for everyone in and around it. Hopefully the rest of the season will spend less time trying to get us to like Reynolds and McElhenney more than we did.



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