“When you work with someone on Jennifer’s level [Lopez]you have to bring your A-game every second of every day,” said Carole Duncan, super costume designer who has kept J Lo looks great in every frame of her new rom-com,”Marry me. “” She was very interested in the image, and she had a real feel for it. “It was thrilling, Duncan told POPSUGAR, to” collaborate with someone who was knowledgeable about fit and storytelling through clothing. . . Jennifer is a great choreographer of every moment. “
Duncan was tasked with an interesting challenge when she joined the cast of “Marry Me.” Costume designer who has worked with products made by Ava DuVernayM. Night Shyamalan, and Steven Spielbergamong others, was given the meta task of dressing up a fictional pop star played by one of the most famous non-fiction pop stars of our time.
Duncan said: “The character isn’t Jennifer but has a lot of overlap with Jennifer … so she brings a lot of talk about the nuances of her private life versus her public life. a pop star”. Although Duncan has extensive experience as a costume designer, “Marry Me” challenged her to think more like a stylist, as Lopez’s character Kat Valdez will be created by a stylist. costume model. “It’s kind of a meta experience as a costume designer,” Duncan said. “I’ve worked closely with Jennifer’s stylists, who have been very helpful and generous in helping me get up to speed as a pop star stylist, which is a very different job. compared to what I usually do. It’s fun to wear a different hat.”
The ecstatic wedding the dress that Lopez wears as Kat Valdez is so breathtaking that even the movie can’t wait to reveal it – the title credits aren’t even over as we’re gasping for breath at the beauty its.
“The idea for the wedding dress was to be the centerpiece of Kat’s performance, her stage wedding, her publicity wedding, which would feel part show wear, part wedding dress. The most romantic and exaggerated Lem anyone’s ever worn – and incredibly coveted afterwards, as only a pop star would have the need for an outfit like this,” Duncan said. The dress they chose is the one that Lopez found in the designer Zuhair MuradShow bride on the runway. “There were a few dresses she loved in that collection, but this is the one that really spoke to us,” Duncan said. “The fact that the dress isn’t white is a big part of why we all love it. It’s a rose gold color with a champagne scent, and it feels like it’s for a woman. the female has been married a few times and the soon-to-be-married woman in the lights and on the stage. Just has an extra blush and sparkle element.”
In addition to “blush and sparkle”, the fairy-tale glitter dress also offers some great drama. “The drama of it is definitely part of the appeal and part of what we were attracted to when we landed on it as a team,” Duncan said. “And the mass of it – it’s impressive. The dress consists of more than nine layers of horsehair and tulle and has a train that’s 25 feet long. The veil itself is about 20 feet long.”
It turns out that Kat Valdez’s dress has some metaphorical layers hidden in many literal layers of tulle. “It’s also really reminiscent of what’s going on with her,” Duncan told POPSUGAR. “The dress really took over at the wedding. And then when her fairy tale didn’t happen and she was openly married to a stranger, there was something very claustrophobic and oppressive about the dress. – it’s like she can’t leave the face of the public; she’s in the biggest dress ever worn.”
The cast and crew both agree that the wedding dress is a showpiece, but it also requires a lot of attention. “The practicality of the dress, no one loves,” Duncan said with a laugh. “Because it was so big, it took five people to carry it and put it on Jen.”
Another challenge for Duncan was building an on-stage wardrobe for Kat. Those pieces must not only be beautiful, but also have to keep up with Lopez’s powerful choreography and move with her. “Those suits are all breathable dance fabrics,” says Duncan. “It’s all about performance looks.”
Some of the film’s most dynamic scenes are when Lopez performs her new, original songs on stage as Kat Valdez – including her dangerously sexy, high-octane performance. “Church”.
“The idea for the ‘Church’ costume was that it was a number [Kat Valdez has] doing forever“, Duncan said. It’s her first single, so it’s a routine and a song she looks forward to playing at every concert. “The outfit hints at Valdez’s flourishing career without wasting any lines.” The look might change things up a few years for that number, but it looks like it’s evolved a bit. Although you have never seen the original version of it, you can imagine what the version 15 years ago would have been like. ”
With the nuns in prayer wearing tight rubber suits (which, according to Duncan, were “a lot of fun”), the whole figure was a seductive frenzy. “It’s much more provocative and provocative than anything she wears on the street. The idea is that she’s the most provocative, she’s the most provocative. most pop star, when she was performing. “
If J Lo’s gorgeous gem-encrusted bodysuit reminds you of another iconic fashion moment, you’re absolutely correct. When asked if Duncan and her team were inspired by the ruched Christian Lacroix jacket that Michaela Bercu wore on the November 1988 cover of Vogue (Anna Wintour’s first issue as editor-in-chief), Duncan confirms that it was “certainly a point of reference.”
Another strong reference point for Kat Valdez’s on-stage looks: “Truly iconic Thierry Mugler from the 80s. “For a duet with her ex, Bastian (played by Maluma with so much energy ready to ruin your life), Kat Valdez appeared in a layered gold and silver dress with accessories. goddess-like events. . “There are a lot of Thierry Mugler [references] in her hats and jewelry,” Duncan said.
Offstage, Kat dropped her famously flashy armor. There’s an out-of-trend casualness to her outfits – although they’re still perfectly tailored and beautifully woven in silk and cashmeres. “Generally speaking, we wanted Jennifer’s non-show-wear aesthetic to be truly timeless,” says Duncan. “Old Hollywood, iconic, classy – so that if this movie were to come out 10 years from now, you’d still be watching it and not really getting caught up in the timing. We didn’t want anything to feel like anything. It felt too trendy or too specific when we were filming. We wanted it to stand the test of time so it always felt elegant, luxurious and aspirational.”
Lopez plays Kat Valdez with a beautiful blend of confidence and insecurity – a coincidence that is reflected in her wardrobe. “She has a lot of vulnerable moments and I think we put her in the silhouette for those moments that can connect the two. She’s got a fierce look and is ready to film – ready to go. for the cameraman to cover her, Duncan said. “One example is when she went to high school and met Lou [Charlie’s daughter, played by Chloe Coleman] for the first time, and she’s in that all-white outfit with that little cropped structured coat. It feels really confident; she has interesting sunglasses. It certainly felt like a look she put together knowing it was going to be photographed, but she’s also meeting Charlie’s daughter and she wants to look more casual. And that’s the version of her dressed casually and casually. But it’s still very powerful and luxurious. “
Another outfit Duncan loved to create: “When they got back to her apartment and she was just in her turtleneck, she felt so comfortable. It had a hole in that scene with her and Lou.” That vulnerability is reflected in Kat and Lou’s relationship as they slowly open up to each other. Kat sheds her outerwear and (literally) layers of coat clips to have a heart with her boyfriend’s daughter. The image matches the emotion – her outfit transforms with hers. “It’s an example of a time when apparel was arc-shaped and served both purposes,” Duncan said.
Lopez has a personal bond with Kat’s romantic looks while leading the high school dance. “That dress was born out of a conversation I had with Jennifer about what she wore to her prom or semi-formal. She did. [the dress] for her! Duncan said.
The dress strikes the perfect balance of being special enough for an iconic pop star but also being intimate enough not to alienate roll-eyed teens at the dance. “That dress was perfect,” said Duncan, who noted it had a distinctive “sweet taste”. “It’s got the shape of a pop star trying to be more grounded, but it still has a really, really sexy cut and is still something a school teacher wouldn’t wear. semi-formal, but for Kat it’s more than relatable and feels much less present, less red carpet than her other parts, but it still feels like a dress of a pop star.”
Another sign marked by Duncan’s outfit: Kat is in love. “We’ve got a palette, Jennifer and I, where we start her [wardrobe] Duncan explains with lots of white and metallics, and then her palette softens,” Duncan explains. Owen WilsonHer Charlie Gilbert is deep and warm, so is her style. Duncan said: “We crept in blues and pinks and left her saturated. That wordless storytelling is a hallmark of Duncan’s work as a costume designer.
“Marry Me,” featuring Caroline Duncan’s fabulous costumes and J.Lo’s emotional performance, will hit theaters nationwide and stream on Peacock starting February 11.