Entertainment

‘Lightwork’ offers ‘positivity’ in times of anger – Hollywood Life


“Looks like it would be pointless Not to take steps to balance yourself in some way, right? request Devin Townsend at the beginning of his conversation with hollywood life. Comment on the ambient light Devin has set up in his office, one of the many ways he finds peace in turbulent times, but it can only be applied to one of the themes. throughout Light work. Released on November 4, Devin’s new album sees him finding balance in the midst of life’s chaos. The result is one of his most dynamic and engaging albums to date.

Are from the light of the first lines – “The Praise of the Unknown: If We Face It Alone, Don’t Believe in Fear of Being Revealed,” Devin sings on “Moonpeople” – setting the tone, with music that resembles like a lighthouse that shines on the album cover. “I think that’s for me as well as for the audience, isn’t it?” Devin said. “I thought it would say something I didn’t mean to say if I declared [Lightwork] such as, ‘this is me, trying to give anything.’ Just like anyone else, it’s been a struggle over the past few years. And I find that as I get older – it’s really as simple as what I put out is what I’m going to have to face.”

Life, the universe, and everything else “is chaotic enough,” says Devin. “And it seems a lot of my contemporaries are expressing a lot of anger. So that market is saturated. So more than anything else, I feel that artistically, each of us, it’s just our responsibility to try and be as honest as we can and then deliver what we have. can provide. And this,” he said, pointing out Light work“is what I bring to the table right now.”

Water still drifting forever. And though Devin Townsend speaks with a calm rhythm that comes from his years on stage, on the street, in the studio and in interviews like this, “still”… is not really adjective to assign to him. In the last three years alone, Devin has performed seven online concerts about the pandemic, released three studio albums (including multimedia project, Riddle)give his own decentralization series, shared some impromptu releases, scored a BBC children’s programme, and now, Light work.

He says of these projects: “I feel like I don’t have much of a choice when it comes to following whatever creative impulse seems most interesting.

As one of these creative impulses, Light work is, as he describes it in Behind the scenes interview series, a “Listening Developer” record. Townsend’s previous work — Riddle, with its dissonance and improvisation – is “chaos music”, as he puts it, its removal leads to the space that allows Light work breathe.

(Paul Harry)

Devin started working on Light work before Riddle but need to purge myself from the chaos because Light work to keep it clean, to stay on track rather than deviate from the prog rock stylizations that decorate Devin’s entire work. In that same interview, Devin revealed that there was some hesitation in coming up with something that could be considered accessible when his record is filled with avant-garde, heavy, and complex stuff.

“The fears I have are less about the content and more about the fact that I really enjoy doing what I do,” he said. “And I want to be able to continue. It doesn’t help if you alienate a large portion of your audience that doesn’t care about that particular thing. However, I feel that most of the foundation of the amazing support I’ve had over the years is because it’s authentic — what I’m doing. From moment to moment, I to be do what I feel I need to do.”

“And if that’s the case,” he said, “then I think it might help me in the future to get rid of some of that fear.”

Finding that spot of peace – a place of less fear, regret, pain, and doubt – can be one of the themes enlightened by Light work. “Call of The Void” do your best Douglas Adams in reassuring listeners not to “panic” by the madness of modern lighting. “Celestial Signals” reminds you that “there is no shame in failing”. The spiritual theme song – “Lightworker” – could be an angelic hymn that resounds from the outside once humanity has finally defeated the serious evils of greed, fear, and hate.

These affirmations come in a way only Devin Townsend can deliver: with his signature vocals dancing between operatic aura and metallic growls along with intricate and mesmerizing guitar playing. or, it’s like looking at the first light of a new star.

The album received much acclaim. It would be shocking if it didn’t. Devin is thirty years into his career and is well respected by those in the metal community (“Up to this point, you will never be ‘bad’ by Devin Townsend,” writes Devin. by Kerrang review). He doesn’t take himself too seriously, although his dedication to the profession is unquestionable. His guitar work is so inspiring. vocal coach reacting to his high-pitched voice in fact its own genre on YouTube. The man’s legacy as one of the greats is almost guaranteed.

(Pacific Press/Sipa/Shutterstock)

However, as Devin says, he shares that he still struggles with insecurities and uncertainties. “This record release allowed me to recognize that pattern,” he says, “where I was like – Man, I really started thinking about it over the past month or so. I noticed a pattern: ‘you apologize for every pre-release recording.’ And I feel that maybe now that I’ve seen that I’m doing it, that might be a great opportunity for me to pause that, right? Because I thought, is that insecure? Or fear? Or is it a habit?”

It is a favorable? Will this internal conflict keep Devin sharp and never rest on his laurels? When asked if these fears and habits are the stones that keep his blade sharp, he laughs. “I think we’ve got enough rock already,” he said. “I think if my intention is to progress on a personal level, I can now see more clearly than maybe before that I can see some things that are silly, right?”

“And I don’t blame myself for feeling that way before I knew it, but sometimes it’s the rocks we all come across in life, — pandemics, you know, are like wars with anything. any of these — more than anything else offers perspective on some of these artistic trials and tribulations. I feel that the more realistic my life has been in a short while, the more I have come to realize that some of the things that seemed like past bargains are actually products of my own. I made it myself, didn’t I?”

“When I was younger, I felt guilty that I invested a large portion of my self-worth in what I do – what I produce, music and anything artistic,” Devin says. “And then, as it became less and less relevant, the more I began to realize that the things that I wanted to do with my life—music was part of it, yes, as opposed to I live in a studio and everything that I do is so focused on productivity. As that started to become clearer to me, I began to think that the things I really wanted to do in life included music, but it also aside from music. And I think that ultimately makes it healthier and makes it easier for me to deal with things without fear.”

A stone can sharpen a knife, help build the foundation for a lighthouse to dispel darkness – or help someone sink deep into the submerging waters of a harsh sea. His career has seen him sing in by Steve Vai band in the early 1990s, led the band Extreme Metal Youth trap arrived in the mid-2000s and forged a multifaceted solo career in the Devin Townsend Project. Will these fans who have watched from heavyweight to Devy be with him on that journey?

“Some? Sure,” he said, adding that the only time he revisits old music he heard when he was younger was when he cleared the lawn. But I’m 50. I have kids. It’s like, it’s too much, man. I’d rather listen Django Reinhardt or something.”

“And I think you don’t have to negotiate that [conflict] anything,” he says of people who thrive on music that used to be part of their DNA. “I think it’s good for health. Because I know for myself, listening to one thing to the exclusion of everything else is what — even though I did it as a kid, like now, it’s just, man, it’s like — me love music. Some things benefit from a different kind of sound than others, don’t they? And I honestly don’t think I’m alone with that.

Devin thinks “there are certain people who do” in favor of him continuing to experiment and deviate from his youthful sound. But, “Obviously there’s an audience that’s completely useless to what I do now. And some of them are kind enough to continue to support me based on, you know, some kind of past that we had together. And other people just leave, you know, and honestly, I really want that. I’ve tried in the past to change what I do in music, and it didn’t work. It comes out dishonest. So I have to do what I have to do.”

“So many reasons that I spent a lot of time trying to rationalize or apologizing for [my work] is I appreciate the audience, man. I don’t want to fool anyone. I don’t want to disappoint anyone,” Devin said. “But more than that, I can’t Not Exactly where I am.”

“So people will follow this record? I don’t know,” Devin Townsend thought. “Maybe they will like the next one because, as my track record shows, each is different. And what comes is what goes out. And I never knew what to expect. I don’t expect Light work. I don’t expect Riddle. I did not expect the Strap. I didn’t expect any of it. So who knows > But I’m happy with it. And I like it.”

Light work is now over.

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