Entertainment

‘Dumbledore’s Secret’ Marks Sorrow Low Franchise


Three movies in the “Fantastic Beasts” franchise, Warner Brothers’ lavish “Harry Potter” prequel series, and it looks like the magic has run out.

The new “Fantastic Beasts: The Secrets of Dumbledore” is a huge disappointment, as this “Harry Potter” For Grownups spin-off begins with such promise. Though written by Wizarding World creator JK Rowling and directed by David Yates (who directed the first two and most of the “Harry Potter” films), the latest and final hope remains. came to a rather hectic but flat conclusion.

The first film introduces us to Newt Scamander, played by Oscar-winning Eddie Redmayne, a quirky “magician” who struggles to keep his collection of mystical creatures limited. in his magic suitcase.

Set in New York in 1926, about 70 years before the events of “Harry Potter and the Sorcerer’s StoneScamander, along with an Auror named Tina (Katherine Waterson) and a baker named Jacob (Dan Fogler) take on the role of the lowly witch, Grindlewald (Johnny Depp in the first two seasons).

“Fantastic Beasts and Where to Find Them” (2016) is set in the world I love, presented in a movie with no center. Redmayne’s self-conscious diversion, with his puzzled expression (he whispers and mutters almost all of his lines), is reminiscent of the likes of Giovanni Ribisi or Jeremy Davies.

For all the acclaim the actor has received, Redmayne’s terrible turn in “Jupiter Ascending” (2015) seems less fortunate than many believed at the time. Redmayne was too strict about this, as if he was afraid of being affected by the special effects.

The visuals are gorgeous, but Rowling’s script is too much and busier than it needs to be. There’s an excessive amount of CGI that spills over the screen at any given moment, which undermines the human element.

A sense of humor and an on-the-go story will help, but all of these whimsical scenes need someone to anchor it. At the very least, it definitely needs more Colin Farrell.

Instead of guns, rival wizards and witches shoot beams of light from their wands; A gunfight in a train station, with wands standing in tommy guns, is an exciting feeling. Regardless of the context, however, referring to any of the “Fantastic Beasts” films as a neo-noir genre is really synergy.

It’s also not a horror/fantasy novel, not “Angel Heart” (1987) or “Roger Rabbit Framer” (1988). It also never suggests the difference between “Witch Hunt” (1994) or “Cast a Deadly Spell” (1991).

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What gives the film some kick is the subtext, as it is a story about dueling ideologies that are tearing apart the fabric of society. The introduction to “The Second Salemers” is so good, it should have been the central plot of the movie. Mary Lou Barebone by Ditto Samantha Morton, who should have been the main heavyweight.

James Newton Howard’s scores are amazing, as is the Oscar-winning Colleen Atwood costume. The supporting Fogler’s Muggle and Alison Sudol as the psychic Queenie are far beyond Redmayne and a pretty good Waterson.

It could be said that the movie ends with Queenie and Jacob, in a gem that couldn’t be closer.

The first sequel, “Fantastic Beasts: The Crimes of Grindlewald” (2018) begins with a thrilling prison heist, allowing for an excursion back to Hogwarts and an introduction to Zoe Kravitz’s Leta Lestrange formerly known as Leta Lestrange. refer.

Playing Grindlewald wasn’t just a surprise cameo, but Depp was not only loved, but the movie really needed him. Ditto is once warmly shot and led by Jude Law as Dumbledore, bringing depth to the character’s complicated past. Redmayne’s odd expression couldn’t match that of Law or Depp, who frequently blew him off the screen.

It’s, like its predecessor, over-drawn – at one point we even stop to look at the family tree (!) and the third act is loaded with flashbacks and scenes of the Characters stand around, dropping tons of explanations.

The theme of historical injustice arose, although what really worked in the final act was the villain – Depp’s grandstand speech was one of his best moments with as an actor. A scene involving a fight between a giant cat and a large army of “mantis” (fearful feline creatures) is a great creature showdown.

“The Crimes of Grindlewald” is the funnier and crazier movie, very- “The Empire Strikes Back” with major revelations, characters and characters left in limbo. In fact, it’s so good, that I’m eagerly waiting for the third chapter.

We now have “Fantastic Beasts: The Secrets of Dumbledore” and sadly to say the recipe seems dated.

If you haven’t seen the first two entries, you’re completely lost, as no effort is made to catch up with newcomers or even gain fans quickly.

After the first few compelling scenes, the momentum drops, as it frequently stops and starts, with many scenes feeling overly stretched. Speaking of which, this two-and-a-half hour challenge has a problem that every “Harry Potter” movie (even the good ones) has to share: they’re all way too long by at least 20 minutes.

Due to a public scandal, Depp was replaced and the role of Grindlewald is now played by Mads Mikkelson. It’s not a smooth transition and resembles TV episodes where a scene will begin with the announcement “the role of Diane will be played…” and some stranger will stand in for a missing actor.

Mikkelsen is a great performer and has brought Dr Hannibal Lecter’s completely original role to three seasons of the amazing, shocking NBC series “Hannibal” (2013-2015). Here, no attempt is made to be continuous, as Mikkelsen doesn’t look like Depp taking on Grindlewald and some time passes before the movie even identifies him as such. If you don’t understand well, it will be difficult to understand.

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I missed the energy and really creepy quality that Depp has to offer, and while Mikkelsen isn’t bad here, he’s a placeholder for another actor to own the role. Production values ​​are still strong but there are few precious feelings, let alone real stakes, in any of these.

One problem with all three movies is particularly evident here: when all of your main characters can teleport, it makes every action and battle sequence look similar. After all, why fight or even get injured, when you can just poop and send yourself elsewhere?

There are two good scenes: an eerie encounter with crab/scorpion creatures that are one of the few that are genuinely amusing, and an outdoor wand shooting that is amusing. On the other hand, most large sequences provide lots of dense CGI that revolves around actors running in slow motion.

Give me a Quidditch match any day.

Speaking of which, there’s a return trip to a beloved franchise location but, unlike in the previous installment, this scene doesn’t do everything.

The grand scheme of things presented in the third act, in which the confusion between the heroic squads will aid their quest, succeeds only in trying to justify the lazy writing that we have to come to terms with. face value. Then there’s the dull “Qilin” ritual, in which a creature performs a Rat Day-like ritual to determine an election.

Given how powerful the Deathly Hallows sequels are, the ending scenes here feel like a party that’s gone on too long, with the star players looking tired as they drag their feet. shouted out the door.

There are highs and lows in the “Harry Potter” franchise, but for the most part, they succeed in their ambitions and when it comes to adaptation. The “Fantastic Beasts” series is like a wand that has been used too often, with the magic disappearing.

On a scale of 1-4 stars-

  • Fantastic Beasts and Where to Find Them: 2 and a Half Star
  • Fantastic Beasts: The Crimes of Grindlewald: 3 stars
  • Fantastic Beasts: The Secrets of Dumbledore: 1 and a Half Stars





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