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‘Archive 81’ is our favorite Mashup genre


Our current streaming culture taps into our preferences in conspiracy theories, aliens, satanic beliefs, religion, time travel, and alternative reality models.

We’ve been intrigued by these themes for a while now, seeing movies like “JFK,” “Rosemary’s Baby,” “Invasion of the Body Snatchers,” “The Da Vinci Code,” “The Exorcist”, “The Conjuring” and “Interstellar Endorsements”.

But to create a series like Netflix’s “Archive 81” that gets traffic in all of these topics is very daring.

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That’s especially true when the aspiration doesn’t seem to be the emancipation, on a meta level, of these genres like “Scream” or “Cabin the Woods” have done for killer movies.

In fact, “Strange things“As the most recent outing to compare with “Archive 81.” The new show matches the previous show in terms of its candid, serious atmosphere (not appealing to teenagers) and providing entertainment. explained by aspirants, as strange as they might be, to our current culture.

“Archive 81” is a throwback to the stories of our fears and explains the growing weirdness of modern life. It asks, “What if the explanation for all this is exactly what you don’t want to believe?”

Its answer is to throw a main character, a cinematographer named Dan Turner (Mamoudou Athie), into a ‘too-good-to-be-right-but-you-really-read-in-beautiful’ job ‘.

He overpaid to restore videotapes from the 1990s related to the mysterious destruction of a mysterious NYC building built on the shell of a mysterious burned-out mansion owned by Mr. rich people associated with mystery. The spirits are said to be attempting to transform society by communicating with a god destined to arrive through the transit of a near-earth comet.

Add to that the mysterious disappearance of the graduate student (Dina Shihabi) who moved into the aforementioned building to document the eerie for her thesis.

I just put that in two sentences. That means the elevator pitch is probably pretty good.

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To add to the atmosphere, the protagonist’s father has a connection to the missing cinematographer whose footage is being recovered. In turn, she begins to visit Dan, first in what seems like dreams, but then in an alternate reality that he increasingly comes to trust.

He has a friend who increasingly thinks he’s going crazy. But then there’s more footage of another guy going crazy trying to do the same job but failing to get it done.

Employers, intimidating from the jump, are only getting scarier. His motives remained a (unique) mystery until the very end.

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The “found footage” element of the story works very well when it comes to allowing ghostly visions and hints of time travel or time lapse (in the Intergalactic sense).

The only mistake is going back to a previous point at the end of the season, a step presented independently of the show’s protagonist or grad student found footage.

Perhaps the show’s creators shot this and debated whether it could come out at the beginning or the end, but in the end they decided the ending was the best.

It is an unnecessary discontinuity of the complex temporal relationship between the present past/immediate past/distant past that does not clearly represent established connections.

Oh, and the special effects are sometimes worthy of being the last scene of “Raiders of the Lost Ark,” and some of the themes there are reminiscent of those movies, too. I haven’t decided if that’s a compliment or a criticism. However, the overall experience is entertaining.

The absurd is sometimes just the absurd; not stupid. So the show has that happening for it. Sadly, there’s no room for “Stranger Things” self-deprecation, but “Archive 81” doesn’t slip into the self-seriousness of “American Horror Story.”

Of course, since it breaks out of blocks with absurdity, it can’t really do anything but continue to take itself seriously and then become more sophisticated. If not, it quickly descends towards Linda Blair doing a parody of herself in “The Exorcist.”

And no one wants that.

“Archive 81” raises serious questions about where all of this has to go, assuming there are many more seasons to come.

My daughter asked me about the ending (she saw the whole thing first) and I said, “Wow, they got a lot of discs spinning in the air there at the end”), but I think it goes. good for another season.

Item ‘Archive 81’ is our favorite Mashup genre appeared first on Hollywood in Toto.



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