Ana De Armas exuded elegance as she stepped out for a screening of Blonde at the 48th Deauville Film Festival in France on Friday.
The Spanish actress, 34, looked sensational in a graceful layered gown with long chiffon sleeves.
Blonde is based on the life of famous star Marilyn Monroe and See’s Ana takes on the lead role in the biopic.
Gorgeous: Ana De Armas, 34, exuded elegance as she stepped out for a screening of Blonde at the 48th Deauville Film Festival in France on Friday
Ana increased her height with gold lace-up sandals as she walked on the event red carpet.
She styled her brunette tresses into a chic low bun and opted for a black eyeliner to adorn her look.
The actress then took to the stage at the event, where she was seen clapping by the crowd.
Glow: She styled her brunette tresses into a chic low bun and opted for a black eyeliner to complete her look
It comes after Ana broke down in tears as Blonde received a 14-minute standing ovation at its world premiere at the Venice Film Festival earlier this week.
The actress, who plays Marilyn Monroe in the film, attended Blonde’s premiere on Thursday night, where the film received rave reviews from critics while viewers were equally impressed.
The screening of Blonde was reportedly met with a 14-minute standing ovation – the longest of any film at this year’s Festival, known for its lengthy applause.
The incredible reaction brought lead actress Ana and co-star Adrien Brody – who played Arthur Miller in Blonde – to tears, according to reports.
Elegant: The Spanish actress looked sensational in a graceful floor number with long chiffon sleeves
All-star cast: Blonde is based on the life of famous star Marilyn Monroe and sees Ana take on the lead role in the biopic (pictured as Ana and Adrien in Blonde)
Ana plays Marilyn/Norma Jeane Baker in Andrew’s Dominik’s adaptation of Joyce Carol Oates’ novel, which depicts the tragic Hollywood star’s life and is a fictional story.
Blonde, produced by Brad Pitt, received critical acclaim, with Ana’s performance being described by critics as ‘extraordinary’.
The Telegraph’s critic Robbie Collin heaped praise on the fictional scene from Marilyn’s life when he gave the Netflix film a four-star rating.
Beaming: The actress then took to the stage at the event, where she was seen clapping to greet the crowd
In response to criticism that Spanish star Ana would use her natural voice in the role, he praised the actress for capturing Marilyn with ‘extraordinary psychological precision and real emotional depth. the’.
“She doesn’t just look in part, she understands that part is the dismantling of appearance,” he said.
‘Blonde being serious and seriously thinking is almost a mistake: you instead wonder how many viewers at home will fight to the end when the movie lands on Netflix after its limited theatrical release.
‘In the cinema, however, it swallows you up like an uneasy dream, at once all too familiar and unreal.’
Praise: It comes after Ana burst into tears as Blonde received a 14-minute standing ovation at its world premiere at the Venice Film Festival earlier this week
Lead: Blonde, produced by Brad Pitt, received rave reviews from critics, with Ana’s performance being described by critics as ‘extraordinary’
But The Guardian’s Leslie Felperin gave it a more cautious three-star review as it criticized the film for not giving Marilyn ‘much agency in her story’.
The review said: ‘The psychological framework is very old Hollywood Freudian, which does not give Monroe herself much autonomy in her story.
However, the film critic could not fault Ana’s performance, writing: ‘De Armas’ intense and ultimately convincing performance goes a long way towards bringing the goddess down to earth, but is it so? Is this enough? “
Deadline describes Ana as Dominik’s ‘muse’ as they tackle the ‘incredible’ way Marilyn’s story is told – through the lens of a fictional book, rather than autobiographical material.
WHAT THE CRITERIA SAY
walkie talkie
Rating: 
Robbie Collin heaped praise on the fictional Marilyn’s life when he gave the film a four-star rating.
In response to criticism that Ana would use her natural voice in the role, he praised the actress for capturing Marilyn with ‘extraordinary psychological precision and real emotional depth’.
“She doesn’t just look in part, she understands that part is the dismantling of appearance,” he said.
Guardians
Rating: 
Leslie Felperin gave it a more cautious three-star review because it criticized the film for not giving Marilyn ‘a lot of agency in her story’.
The review said: ‘The psychological framework is very old Hollywood Freudian, which does not give Monroe herself much autonomy in her story.
However, the film critic could not fault Ana’s performance, writing: ‘De Armas’ intense and ultimately convincing performance goes a long way towards bringing the goddess down to earth, but is it so? Is this enough? “
Limit line
Critic Damon Wise criticized the film’s technological successes, but said it was Ana’s performance that brought it to life.
He wrote: ‘That the film works is purely due to the phenomenal performance at its heart: Ana de Armas carries the film squarely on her shoulders, depicting Monroe over a period of about 16 years, and the screenplay. performance – actually more than one interpretation, aided by the actress’s nominal similarity – is all, intensely emotional yet complex in its nuances as it explores many paradoxes of child sex symbols. ‘
Vulture
Bilge Ebiri notes that although Marilyn doesn’t have ‘determination’ in the story, the film is never ‘boring’ due to its incredible cinematography.
‘Blonde is beautiful, mesmerizing, and at times, highly emotional. But it’s also alien – again, by design – constantly turning the camera towards the viewer, sometimes Marilyn directly addressing that,’ they said.
Source: | Dailymail.co.uk
